"Right, the creative class. Maybe Richard Florida has promoted the wrong creative class. In his model, artists beget coffee bars that make formerly dreary neighborhoods attractive to real estate developers, who lure lawyers and accountants into luxury loft buildings with names like “the Shoe Factory.” Maybe there’s another model, one that sucks a little of the class bias out of the formula and privileges artisans over artists, blue-collar jobs over white-collar ones. Give enough people who are passionate about making things the stability to invest in equipment and hire workers, and you might slow, or even reverse, the death spiral."